Holaaa, folks. Another not-that-cold week but not-warm-enough one for Spring? Shot me in the head, please. This early Spring rain sucks, but you know what doesn't suck? The Mill Museum. You heard (read) me well! The perfect adventure for a week like this (because I would never recommend it over drinking tap beer on a patio or just hanging out with your fellas during a sunny day). Let's get back on track because I'm not kidding, folks, museum and mill can actually be together in the same phrase as the words almost fun.
Showing posts with label Traveling. Show all posts
Showing posts with label Traveling. Show all posts
I mean, concert season strikes back, dude. Bands flying around venues like hummingbirds grasping honey. Keep your expectations checked as well. Sites are starting to open as tours are being announced, so people are getting wild. Hold your fists up, keep your chin low. Don't quite it after seeing that it got sold, don't pay four times the price in a resale. A blow in your guts. Get creative and fight back! This is a free-for-all rumble.
By IASP.
Revolts and uprisings brew at best with art. Creative engine, bewitching powerhouse. There is no revolution without poetry, we say in Chile. The 10/18 Chilean uprising prompted the recapture of public spaces as proposing alternatives to areas that were given and erroneously settled in stone. Our progenitors gifted us with the General Baquedano's monument. The revolt "politely" turned them down. Although half the country celebrates the removal of the statue while the rest weeps in agony, we reopened a forgotten venue of dialogue between Santiago and its residents.
I cannot be but fascinated by the removal of the general Baquedano's monument resulting from the ongoing Chilean unrest that started in 2019. A tale, yes, a tale of this empty square that welcomes a debate of what should be raised in lieu of General Baquedano's monument. An opened space like an empty white page about to be colored. It's time for consciously rethink, rebuild, rethink, repeat, rebuild, discuss, rethink, and repeat. Our city is in bad shape. You can tell that by just looking at the consequences of two years of revolts and a year an half of COVID. I'm still optimistic of what the future will bring. We relearned to talk about our cornerstones; we dream with reshaping these spaces. Whatever is placed instead, it's a victory for us as a society.
To rethink our public spaces means to devote ourselves to our city in a reflective exercise. We reinvigorate our bonds with our surroundings. What purpose serve these cornerstones of Santiago or any place? Memory, story, and identity. The best monument brings something that shall never be forgotten. For instance, the ground zero in NYC reminds us of a ripped tragedy, but also a place were we can commute and grieve together. Public spaces embody this kind of power. Educational, sports, entertainment, trade, community building, etc. Hundreds, thousand of purposes.
Picture by Leandro Crovetto
But General Baquedano is alone on his horse. Neither benefit nor goal to be achieved. Meaningless means timeless and also motionless in this case. In other words, this public space was dead. It's like almost dying twice, perhaps, by the time when the government grew tired to protect his legacy. Don't take me wrong, I grew up with heroic stories of the the Pacific war. Yet, General Baquedano felt like a tourist in the former Plaza Italia. He deserves better. Isolated from the very country that he chose to protect with his life. We can do better. Send him home but far from Italia or Dignidad square, whatsoever.
Certainly, there are some attractive proposals to replace general Baquedano's statue. My favorite is a monument to Gabriela Mistral, perhaps one of our most underrated poets to this day. To Gabriela Mistral, our first Nobel prize in poetry. An elementary and secondary teacher deeply involved in advancing the educational systems of Chile and Mexico until her poetry made her world-like famous (Let wind and salt and sand/ drive you crazy, mix you up/ so you can't tell/ East from West,/ or mother from child,/ like fish in the sea./ And on the day, at the hour,/ find only me.) A teacher who really embodies the republican values and the struggles of the middle class. A poet, who can lead a revolution and the changes that are needed so badly with hope and optimism. Whatever project we choose for our nation, we need some poetry on it.
What about Violeta Parra? Let's dream high. The sky is the limit. Chilean composer, world famous folk singer, and social activist, best known for traveling throughout Chile to record the breadth of Chilean folk music, but to really recapture the core of our folklore. Violeta Parra gave us a new soul. We owe her everything (Thanks to life, which has given me so much./ It gave me laughter and it gave me tears./ With them I distinguish happiness from pain./ The two elements that make up my song./ And your song, as well, which is the same song. And everyone's song, which is my very song.)
Perhaps having Violeta Parra at the center of Italia or Dignidad square (again whatsoever you may call it), a meeting point of the ongoing changes, can remind us that we can build something new and beautiful from our diverse population but always walking together, hand by hand. That's a monument that we need badly in these difficult times.
By IASP.
Two Brazilian siblings and a Minnesotan joined like a latte mixture of Brazilian beans and local milk. Starring Fernando and Humberto Campana meet Gary Johnson. Downtown is taken again by more renown artists from Brazil as Eduardo Kobra's emblematic mural of Bob Dylan. What a fantastic time to be alive. To walk and find these hidden landmarks all over the Twin Cities. Minneapolis is becoming a bright and colorful carnival ride that never ends.
The Brazilian siblings' Zig Zag urban intervention is an intriguing proposal for a public space, perhaps too greedy. Displaying techniques to catch Brazil's multicultural carnival spirit. The Capana siblings aim to create a new public space, a market. However, it remains empty to this day.
The most characteristic feature is the roof made of straps of multiple colors leaving space for the light to create shadow patterns like a forest in which the sun finds the way between leaves and branches to draw unique shapes on the floor. Shapeshifting. This dance between shadow and light may never reach the motionless state of death.
I took pictures of different times of the day to embrace the Campana's proposal (below). I can attest that I was never able to take exactly the same picture twice. There were so many factors inter-playing: weather, light, time, people crossing the place, etc. A shapeshifting space a few steps of downtown. That cannot be unintentional.
Yet, the original purpose behind the project seems unaccomplished. This space was designed for becoming a public space for gathering, trading, in other words, community. None of these functions seems to be fulfilled by this project. To be fair, this space invites for all these things and more. The location and design is uncontested. Day after day, the image of a crowded and colorful market breaks into my mind amidst the roof straps being lifted by the pillars at both sides. Just to imagine an artist selling his/her paintings at the spot makes me shivering. Would that day come? We are left without answers.
Again, the Campana's work is thrilling. The use of unconventional materials with clean and shaped designs is unique. To find a common ground between opposite forces is a brilliant exhbition of technique and effort. To think that one of the Campana is not even an architect or designer but an attorney is encouraging. I believe there are reasons beyond the project itself why this spaces has not been recaptured by the community. The space is welcoming. Fact. Perhaps only time will bring an answer.
Another idea assaults my mind. Opposite thoughts. What if the Campana siblings brought a different gift? Yes, I do thing that. The market was solely the first gift. Instead, their second gift is a new sight of the skyline. I mean, what's the best way to enter Minneapolis? That's a fundamental question, and in my opinion, we lacked some sort of Arch of Triumph to guide us through Hennepin avenue and the main streets. I don't believe there was a straight answer before the Zig Zag because from which angle we could spot the most marvelous angle of the city.
But we were given an answer, more like a second gift from the Campana siblings. You can start from Loring Park and walk -not too fast, but not too slow- heading to downtown. Half the way, you will encounter the Zig Zag, a kaleidoscopic and colorful arch of triumph. Yet, the arch is not only a door but also a frame made of shapes, colors, and lights.
There is more. What if the Campana siblings also nailed it with a third gift. Shapes, colors, light, and shadows. The Zig Zag is not solely a frame but an aspiration. The carnival is not what we find but what we wear. An aspiration what we dream for the Twin Cities. The brightest of the future. It is not a coincidence that the Pride finishes at Loring Park.
When you spot all these landmarks around the Twin Cities, you begin to wonder. What are these kaleidoscopic colors being painted at any corner or wall? The Twin Cities is slowly moving to become a never-ending carnival in which everyone is welcomed. That's the aspiration and true gift of the Capana siblings (I wanna hope).
By IASP.
For the last several days I have been staring a this piece of pottery that I brought from Pomaire, Chile. Clay is part of our handmade crafting traditions, but I never valued the worth of almost 200 hundred years of history. These are some of my thoughts after vising this crafting community.
By IASP.
When visiting Santiago, I love how Anthony Bourdain mocks the LonelyPlanet magazine. Cause the best experience you can encounter in Chile doesn't come from the new areas designed for gringos to empty their pockets, but from those opened to share our culture and daily life. The same way how our complex history cannot be unveiled in the first five sections of Wikipedia. Anthony Bourdain is no longer with us, but it brings me great joy to rewatch his visit to Chile on the day of his birthday, June 25.
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